Monday, 29 August 2016

plan

plan who does what moving forward:

Thinking of a large installation in Japanese classrooms at schools (high school or intermediate)? -more beneficial as it can be played with during lessons or boredom?

If it is a small kit would they actually use it and practice? or would it just be a novelty thing?

why four seasons? why seasonal food?
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Things that need to be done:

-Logo, name (hashi)-remember to put the logo on everything
-design for Storage box design (box the installation comes in)
-Text on bowls and cups (printed)- icons- colour, scan in, put text x 15
-Design Pamphlets x 2 ( diagram of table setting-layout-4 seasons info and the other one on chopstick etiquette and manners) A3/A4?- Squares-dictionary meanings for titles? -There could be a small booklet or set within the pamphlet as well
-design on imagery (origami illustrations/icons)- along with photos
-cardboard table x1
-info on the table?- table square with indications of where to put each origami tableware back to  about the food or taboos?- printed on table? x1


other stuff:
-experiment with typography, imagery and line illustration
-reword text to be snappy and engage students without boring them

-put up the diagram of example organisations which would support our brand (schools, government education organisation).

-large installation in classrooms? -more beneficial as it can be played with during lessons or boredom?


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testing text on bowls:
-At the moment just having issues with text placement over folds as text may not end up in the places I want it to.








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pamphlet folds:




Layout wise (of text/imagery etc.) could try following the image below begin with:
https://nz.pinterest.com/pin/119838040063704963/



-Just realised they put a smaller book in the middle of the pamphlet
-we could do this too if the info doesn't all fit









been experimenting with some layouts but finding it hard to fit the stuff like we do on the table, because of the folds etc. here's an example

works better this way?




Saturday, 27 August 2016

10/5 Report

what critique experience you found useful, why, and (2) what you intend doing over the semester break based on the #SuperCrit feedback?

I found that I was able to get much more critique in week 6 compared to the other two we had so far. It was much easier to track down tutors because there was a set system, and a note-taker made it easier for me to listen to the feedback without rapidly writing notes down at the same time. I also found some projects also experimenting with more tactile components, so it was useful to exchange information and feedback. 

From the critique, we found that our origami installation and book was not working cohesively. The installation had a more playful aspect to it and people are more willingly to engage with it. However the book lacked these factors because it appeared to be too formal. Our next step is to find a way to connect the two components. Our ideas may evolve again, and the takeaway component may no longer be a book. Over the semester break, we need to decide what this takeaway component could be, and how it can be equally engaging and playful like the installation. We also need to scan in our origami to experiment with text placement on the origami tableware. We need to ensure that the text is legible and has the right tone to it (aiming to be more encouraging and less aggressive). 


Friday, 26 August 2016

Idea Reinterpretation/ notes from interim critique

Re interpretation of idea (so far):
Here's my understanding at the moment. have a read and let me know if you think anything should be added or changed?


Target audience:
college students that are taking Japanese and are wanting to travel overseas to Japan.
are the students wanting to go to japan? or have they already decided?
-It will be in classrooms for those interested in Japanese to play with. It will be more useful to those who have already decided on/are going to Japan already as well a perspective students that will go to Japan in the future.


Location of installation:
A kit that is produced and installed in Japanese classrooms with the okay from the school.

Who provides this?:
Our brand creates the kit to be installed in classrooms. Funded by schools.

Why?
Through learning the dos and don't of dining etiquette students can learn more about Japanese Culture. This is because Dining etiquette is influenced by the old traditions of Japan. The rituals from Buddhism and Shinto continue to be incorporated in the way Japanese people dine. A consequence of this is there are some taboos that have symbolic references that are seen as bad and are never to be used. An example is the passing of food using chopsticks, this has a symbolic reference to the passing of bones of a deceased relative in funerals.

With ethic cuisines being introduced people unknowingly assume that all Asian cuisines are eaten in the same way. However this is not the case because gestures such as passing food in Chinese culture is completely fine but in Japanese culture it isn't. This is because there is a difference in values and beliefs between cultures.

A student that is unaware of these taboos may unintentionally shock their host family. On the other hand it is good to learn through mistakes but it isn't very respectful to make others feel uncomfortable through performing cultural taboos.

What?
There is so much that you can learn about Japan's values through an everyday activity such as Japanese dining. Our kit engages students through a playful installation and helps them discover more about Japanese culture through engaging in dining etiquette. This with help students get a snippet of Japan's values before venturing there themselves.

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Notes from interim:

How do you know this idea will work? Can wish but it is tricky.
-test the idea?

Learning through doing is a good idea.

The Japanese Embassy is not practical. People go there to approve visas and would be unwilling to engage in the installation.

Could be a portable kit that's packaged in a box that's available. -has a formal attitude?

Can be contemporary as well as historical

Could acknowledge the different levels of politeness- in book or installation somehow

Needs a scope?

express the shifts and changes somehow?

How does the display translate to the book?

Display needs prompts for people to interact with it. Maybe on table?

The display could represent a full course meal? (indicate)

Book needs the playful aspect.
-Shape of book (square? etc.)
-Be more engaging (through folds?)
-How do we connect the two?
-The big blocks of text is bad. College students wouldn't read it. Design for a 5 sec attention span.
-bring in illustrations that look like origami - we might have to be careful with this one. mark was suggesting photography in the first critique. 
-illustrations with photos can make the imagery more playful- also have a link to the origami display
-Visually connect things
-Careful about images over spreads
-too much text
-A smaller size (A5)
-Shapes (triangles, squares)
-Book that is origami?

The readability of the taboos is obscured and is too small in the display.

Could have indicators on the table of where to put the tableware back. (place drawings)

Could be a game? with players? Childlike?

The display looks curated to look at. So people assume not to touch it.

We need to commit to a tone of voice (consistent with it)

Rewrite the taboos to be more encouraging and less punishing.

Food could be like fortune cookies that you open?

We need to think more into interactive methods (we need a takeaway component, what form?)

Table is not worth displaying because it can't stand, could wire the edges. At the moment it distacts from the beauty of the display.

The display and book needs to be more surprising?

Could turn the takeaway aspect into an App? Augmented reality? So that the information is already there?

How do we make the book more engaging?

issue of origami breaking? students could be too rough?

why four seasons? why seasonal food?
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What now? (things to try and experiment with over the break)

-Need to try out some techniques to make the takeaway component as engaging and playful as the display table.

-Let me know what you reckon the form of the takeaway component should be? (I'm not sure)

-Experiment with imagery and type. Draw some illustrations (origami) to accompany text.

-Fold, colour and scan in origami to experiment with text placement on origami tableware.
(illustrations showing actions, reduce about of text displayed, increase the size of the typography)

-Reword the text in both the takeaway component and also on the origami. Aim to be encouraging!

-And anything else you think we should do, just add to the list! and do!

Friday, 19 August 2016

Layout trials 2






fonts: 
-Museo Slab 500 (title) size 24
download link: https://www.myfonts.com/fonts/exljbris/museo-slab/500/

-Simsum (japanese) 24 kanji, 18 romaji
-Garamond (body) size 11

Colours:
blue: 52,34,0,0 CMYK
green: 59,3,87,0 CMYK








oops itadakimasu was suppose to be centred.

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with left alignment, no borders, lines, changed title name to purity from hygeine (not sure what to call it)
for the Japanese font i used:  Adobe Fangsong Std

colours: 
Red: 125,23,19 rgb
yellow: 255,181,55 rgb



Colours:
lines:red: 72,0,0 rgb
title:off black: 48,48.48 rgb


for Buddhism an idea is to incorporate maybe the colours of their robes.
The other idea could be to find some nice earth tone colours that go well together.

-drew a crane 
-thought that the pages could either have a crane or a butterfly(or whatever we decide for shinto) to symbolise it's origin (Shinto or Buddhism)
-I reckon spreads should be named after the taboos or what the taboos are about to link with the table setting (installation thing).

-colours used:
Red: 125,23,19 rgb
yellow: 255,181,55 rgb
off black: 48,48.48 rgb





-images don't really relate at the moment, had trouble finding some.

red used: 125, 23, 19 rgb
orange used: 213, 84, 32 rgb
off black: 48,48,48 rgb

-added captions: size= 9







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-possible things to put on each spread
-sequence and content is not finalized yet (can change)












info on season specific pages:

-what the dishes are ie mushroom dish etc. (in jap and english)
-what the specific plates and bowls are called in Japanese and english
-placement of dishes on the table












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Display development (origami images)

-practicing origami


-origami tableware and food in development.


-making large origami table.


-It couldn't stand because the paper was too thin.


-Placement of origami food and tableware on origami table so far.